Cris Moran All articles
Creative Life

Talking About Your Work Without Wanting to Disappear Into the Floor

Cris Moran
Talking About Your Work Without Wanting to Disappear Into the Floor

There's a specific kind of cringe that hits when you post something you made and then immediately want to throw your phone into a lake. You worked hard on the thing. You're proud of it — or at least you were, before you hit publish. And now you're refreshing the page like a nervous wreck and wondering why you didn't just keep it to yourself.

Here's the uncomfortable truth: making the work and talking about the work are two completely different skills. And most of us were only ever taught one of them.

The Training Gap Nobody Talks About

If you went to art school, film school, a design program, or just spent years quietly honing a craft on your own — the entire focus was on output. Make better things. Develop your eye. Refine your voice. The assumption baked into all of that training is that if the work is good enough, it'll speak for itself.

Except it doesn't. Not anymore. Maybe it never really did.

The people whose work actually reaches an audience — the ones landing commissions, getting booked, building real creative careers — aren't necessarily more talented than everyone else. They've just figured out how to close the gap between what they make and who sees it. And that requires talking. Posting. Sharing. Showing up in spaces where people can actually find them.

For a lot of creative people, that part feels borderline impossible.

Why It Feels Like Lying

Self-promotion trips up makers for a specific psychological reason: it forces you to make a claim about yourself before the world has officially confirmed it. When you post "here's a short film I made" or "I just launched this project," you're essentially saying this matters and I made it and you should care. And that feels presumptuous. Arrogant, even.

There's also the impostor syndrome angle, which is almost too obvious to mention but still worth naming. When you're in the middle of a creative practice, you're always aware of the gap between where you are and where you want to be. Sharing your work feels like inviting people to inspect that gap up close. It's vulnerable in a way that making the work privately just isn't.

And then there's the cultural layer. In the US, there's this weird double standard where we celebrate confidence loudly but also quietly side-eye anyone who seems too eager to promote themselves. We want people to be successful AND modest about it, which is basically an impossible combination.

Reframing the Whole Thing

Here's the mental shift that actually helps: stop thinking of self-promotion as bragging and start thinking of it as information.

When you share your work, you're not saying "look how great I am." You're saying "this exists and here's what it is." That's genuinely useful to people who might need it — clients looking for someone with your skill set, collaborators searching for a specific sensibility, an audience that's hungry for exactly what you make. They can't find you if you're invisible.

Another reframe that helps: think about the creators whose work you love. Did you feel annoyed when they shared it? Probably not. You felt glad. You were happy they put it in front of you. The people who actually connect with what you make will feel the same way.

The ones who don't? They'll scroll past. That's fine. The internet is big.

Practical Ways to Actually Do It

Start with context, not claims. Instead of "I'm a great designer," try "I just finished a branding project for a local restaurant and here's what the process looked like." You're sharing the work and the story around it, not making a declaration about your own greatness. Context feels like generosity. Claims feel like ego.

Use specificity as a shield. Vague self-promotion feels the worst because it forces you to make sweeping statements. Specific self-promotion is easier to stomach. "I spent three months learning letterpress printing and here's what came out of it" is way more comfortable to post than "I'm a printmaker." Details ground the thing in reality.

Borrow the third-person trick. When you're struggling to talk about your work in first person, try writing about it as if you were describing someone else's project. "A friend of mine built this whole interactive installation using salvaged materials" — notice how easy that is to say? Now go back and swap in your own name. The work didn't change. Just your relationship to talking about it.

Make sharing a habit before it feels high-stakes. If you only post when you have a finished masterpiece to reveal, every post becomes this enormous moment of judgment. Creators who are comfortable sharing their work usually got that way by posting regularly — process shots, rough drafts, experiments that didn't pan out. Lower the stakes by increasing the frequency.

Find the people who get it. Posting into the void is miserable. Find communities — online or in person — where people are genuinely interested in what you make. When you're sharing with an audience that actually wants to see it, the whole thing feels less like exposure and more like conversation.

The Payoff You're Not Seeing

Creators who get comfortable promoting their work don't just get more attention. They get more freedom.

When you can clearly articulate what you do and why it matters, you attract the right opportunities instead of just the available ones. You stop taking every gig that comes your way because you're scared nothing else will show up. You build relationships with people who actually understand what you're going for. You get to be more selective, more intentional, more yourself.

The quiet irony is that the makers who are most reluctant to self-promote are often the ones who would benefit most from it. They've put in the work. They have something real to share. They're just missing the last piece — the willingness to let people in on it.

You don't have to become a personal brand machine. You don't have to post every day or build a following or learn the algorithm. You just have to stop treating your own work like a secret.

Tell someone. Then tell a few more people. See what happens.

All Articles

Related Articles

What Nobody Tells You About the Real Price of Making Things

What Nobody Tells You About the Real Price of Making Things

When Collaboration Becomes a Crutch: Protecting Your Solo Creative Voice

When Collaboration Becomes a Crutch: Protecting Your Solo Creative Voice

Curate Your Creative Inputs Before They Quietly Curate You

Curate Your Creative Inputs Before They Quietly Curate You